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Privacy

Privacy is shorthand for breathing room to engage in the process of … self-development. – Julie E. Cohen

Writer Muriel Spark kept her own archives. Every bus ticket, theatre ticket, diary, shopping list, cheque stub, etc., she kept and stored in boxes for years until she sold the lot to the National Library of Scotland.

When I first read about Spark’s archive, I loved her chutzpah. But, in Appointment in Arezzo, Alan Taylor explains that the archive was far from her having one eye on posterity. Spark kept it so that she had irrefutable proof of who she was and the experiences which had shaped her. She could use that archive to know the truth about herself and her past especially when people she had known and loved wrote about her unfavourably.

Nowadays we all have similar archive, online. It boggles my mind how Google has recorded every journey I have ever made when using its maps. Elsewhere I am in databases in the workplace, pension plans, the doctor’s, the dentist, the TFL Oyster card system, and so on. My offline archive is just a mountain of old diaries.

Personal information, like the fields found in a database, wasn’t really collected until after WWII, and even then it didn’t become a commodity until much later on when businesses began to collect it to sell us things. Before that, there wasn’t much anyone didn’t know about you in your community say like your village. I know where I grew up everyone knew everything about me. But there is a massive difference between the facts that are known about me by neighbours and the journals I have kept.

It is the same today. I mean I don’t care if you know where I go, or what I buy, or how old I am. I don’t publicise these things and definitely not online, but even so, if you asked me I would probably tell you. However, if you were to come round my house and read my diaries I would be mortified. They are private.

Privacy is a social construct. Historically people lived closely together so there was no privacy. It was only in the US in 1980, it came to mean the right to be let alone as defined in Samuel D Warren and Louis Brandeis’ article titled The Right to Privacy.

UK and EU law is more piecemeal, we have privacy of information and the right to respect for our private and family life but nothing as clear as the US torts.

There might be lots of personal information about us in databases or in other people’s heads where we fit demographically, but that is not the same as our hopes, our dreams, or our irritating habits, which is why when someone shares that sort of information about us or indeed reads it in a diary, without our permission, especially if it is something we wouldn’t want the whole village or indeed Internet to know, it can feel like a horrible betrayal and a violation of our privacy.

That said, our everyday lives are a constant trade off between privacy and intimacy, between sociability and creating relationships. Privacy is not an absolute state and it can be doubly difficult to figure out where we are, when we are the individuals who have offered up our private space in the first place, which is what we do when we put up pictures of our houses, or our lunch, or ourselves, online.

Knowing yourself in the face of others

Knowing what to keep private can be a hard call and can change from day to day. With people online, whom we chat to, we tend to fall into an immediate trust and share more readily because trusting and sharing is what builds intimacy, and as we have little to go on with a virtual someone else, we may violate our own privacy to drum up a sense of intimacy and trust, and if the other person turns out to be not what they said they were then we may feel a bit foolish, that’s if we are lucky!

We all wear masks, and the time comes when we cannot remove them without removing some of our own skin. – André Berthiaume

But it is not our fault. Laurence Scott says in The Four Dimensional Human, that the modern message is that we are fundamentally isolated from each other and that when we get online we have the abstract promise of going home, it has become part of the rhythms of almost every waking hour to look for a sign or word elsewhere.

In other words, connection gives our lives meaning and we will readily trade some privacy for the promise of not feeling socially excluded. And, if Scott is to be believed, then technology has trained him to be permanently online hoping for some connection.

The hoped for self

And, if that is true, it is no wonder that Scott remains frustrated that people do not share the things which he feels really need to be shared and instead curate their lives carefully to makes themselves look like they are having a life well lived. In his words: We gentrify our web presence and describes social media as a bit of a stage performance.

But how else are we to behave? Being honest and vulnerable online or off takes courage, so if the person or indeed the whole gang of people with whom you are sharing don’t understand or empathise, and in a worst case scenario, let you know, you can feel crushed and ganged up against. It is only with a strong sense of self can you recover.

Privacy provides you with a space in which to discover that sense of self but if you are never offline then how can you cultivate one? You cannot do it online if you are wanting randomers to satisfy your painful yearnings for connection.

I read something today that the optimum number of friends of Facebook is 300. Anymore and you look like you have no friends. Elsewhere, like Twitter or LinkedIn, lots of followers makes you look fabulous. Connectedness is a commodity and we work hard to keep our numbers up. We cannot win. Emotional Intelligence author Daniel Goleman has said that we are under siege in this pervasive digital culture and there are a lot of rules made up by social media experts for us to manage and succeed online. We need to be authentic, unless of course we are not very nice then we have to hide that and pretend to be nice, authentic, and the same as everyone else.

We like rules to make sense of things and we have long been told how we should live our lives by the media, with social media there are just more ways to be told how to conform.

In Cave in the snow author Vicki MacKenzie, describes how Buddhist monk Tenzin Palmo moved into a cave up the Himalayas so that she could meditate in peace:

She could begin to unravel the secrets of the inner world – the world that was said to contain the vastness and wonder of the entire universe.

More and more I am beginning to think this aptly describes privacy. We could all do with a bit of solitude to build our emotional and digital resilience. The Internet is fabulous as it compresses time and space, great for maintaining friendships, keeping in touch with loved ones, running businesses, and so on. But if all we do is constantly look online to find meaning,connection and validation then we will never give ourselves that time and space to give those things to ourselves.

We don’t have to go mad like Tenzin Palmo and sit in a cave for 12 years or indeed emulate Christopher Knight the man who lived alone in the woods for 27 years and experienced deep transcendental moments in nature. We don’t  even need to delete our social media accounts as Jared Lenier warns us we must. But, we need to protect our inner world, our privacy, so that if we never unravel the secrets of the entire universe, or transcend ourselves watching the fog lift at sunrise, we know enough to love and respect our own dear selves, so that we are able to connect with love and respect to our fellow human beings, by transcending the painful yearning we sometimes get when our needs are not being met.

The man in the woods’s observation of the mobile phone is fascinating: Why, he wonders, would a person take pleasure in using a telephone as a telegraph machine? “We’re going backwards,” he says.

Privacy is the space in which we come on home to ourselves. There’s no need to camp out online in the hope of making a home in a stranger’s photo album.

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Game theory & social media (3): What are you playing at?

Source: buzzfeed.com

[Part 3 of 4: Game theory & social media: Part 1, Part 2, Part 4]

Whatever else anything is, it ought to begin with being personal – Kathleen Kelly, You’ve got mail (1998)

Kermit drinking his tea and throwing shade makes me laugh. However, I think we all understand his frustration. It seems that in business and personal relationships, people play games. We may not know why, and we may not know the rules. But as we saw in part 2, before we react, we might want to find out more: if a game is being played, which one, and if we want to play or not.

Games, payoffs, and winning

A game is normally defined as having two or more players, who have a choice of possible strategies to play which determine the outcome of a game. Each outcome has a payoff which is calculated numerically to represent its value. Usually, a player will want to get the biggest payoff possible in order to be certain of winning.

Dominance, saddles, and mixed strategies

Playing the strategy with the biggest payoff is known as the Dominance Strategy, and a rational player would never do otherwise, but it’s not always easy to identify which strategy is best.

So, players sometimes take a cautious approach which will guarantee a favourable result (also known as the Saddle Point Principle). Other times, there is no saddle point so players have to choose at random what strategy to play and hope for the best. They can calculate the probability of mixing up strategies and their chances of winning. If their probability skills are not great they can play experimentally and record their results 30 times (for statistical significance) to see which strategies work.

How does this work on social media? Well, no one knows how social media works so a trial and error approach whilst recording results can be useful. Luckily, Twitter and Facebook both provide services and stats to help.

Free will, utility, and Pareto’s principle

A major question is whether players have free will or not and whether their choices are predetermined based on who they are playing with and the circumstances in which the game takes place. This can depend on the amount of information players have available to them,  and as new information becomes available, they play a specific strategy, thus seeming as if they didn’t have free will at all.

Players assign numbers to describe the value of the outcomes (known in economics as utility theory) which they can use to guide themselves to the most valued outcome.

This is useful if we have a game where the winner doesn’t necessarily take all. If the players have interests which are not opposed and by cooperating the players can end up potentially with a win-win situation or at least a situation where everyone gains some benefits and the solution is not the worst outcome for everyone involved. This is known as the Pareto Principle.

On social media? Retweeting and sharing other’s businesses news is a nice way of ensuring everyone gains some benefits because with a potential market of 307 millions and there is enough of a market to go around for everyone to win-win and of course, reciprocate.

The Nash equilibrium

Taking this further is the Nash equilibrium which was named after John Nash, who proved that every two player game has one equalizing strategy (either pure or mixed) in each game. By looking at the equilibrium strategies of the other players, everyone plays to equalize. This is because, no player has anything to gain by changing only his or her own strategy, so it is win-win.

Are you chicken?

Ducks have been known share out the bread thrown to them so they all get some rather than one duck eating everything. This is known as the Hawk-Dove approach in game theory. When there is competition for a shared resource, players can choose either conciliation or conflict.

Research has shown that when a player is naturally a hawk (winner takes all) and plays amongst doves, then the player will adapt and cooperate. Conversely a dove amongst hawks will adapt too and turn into a fighter.

If there are two hawks playing each other the game is likely to go chicken, which is when both players will risk everything (known as mutually assured destruction in warfare) not to yield first.

We adapt very easily to what is going on around us, and on social media this is totally the same. In a 2014 study Pew Research Center found that people are less likely to share their honest opinions on social media, and will often only post opinions on Facebook with which they know their followers will agree – we like to conform.

The volunteer’s dilemma

In contrast, the volunteer’s dilemma is an altruistic approach where one person does the right thing for the benefit of everyone. For example, one meerkat will look out for predators, at the risk of getting eaten, whilst the rest of the meerkats look for food. And, we admire this too. We love a hero, a maverick, someone who is ready to stand up and be different.

The prisoner’s dilemma

But we hated to feel duped which is why the prisoner’s dilemma is one of the most popular game theories of all. Created by Albert W. Tucker in 1950, it is as follows:

Two prisoners are arrested for a joint crime and put in separate interrogation rooms. The district attorney sets out these rules:

  1. If one of them confesses and the other doesn’t, the confessor will be rewarded, the other receive a heavy sentence.
  2. If both confess each will get a light sentence. Which leads to the belief that:
  3. If neither confesses both will go free.

It is in each prisoner’s interest to confess (dominant strategy = 1) and if they both do that satisfies the Pareto principle (2). However, if they both confess, they are worse off than if neither do (3).

The prisoner’s dilemma embodies the struggle between individual rationality and group rationality which Nigel Howard described as a metagame of a prisoner cooperating if and only if, they believe that the other prisoner will cooperate, if and only if, they believe that the first prisoner will cooperate. A mind boggling tit-for-tat. But, this is common on Twitter with those: Follow me, I will follow you back and constant following and unfollowing.

And, in any transaction we hate feeling like we have been had, that we were a chump, that we trusted when we shouldn’t have, which is why some people are so angry and like to retaliate. Anger feels better than feeling vulnerable does. But, great daring starts with vulnerability, the fear of failure, and even the failure to start, the hero’s quest shows us that.

Promises, threats, and coalitions

As we add more players, all rationality may go out of the window as players decide whether to form coalitions or to perform strategic style voting. If we introduce the idea of the players communicating then we add the issues of trust in promises, or fear of threats and it all starts to sound rather Hunger Games.

On social media aggression and threats are common, because of prejudice, or group think, especially on Twitter where there is no moderation. And, online and off, we have all been promised things and relationships which have ultimately left us disappointed, and told us that we have been misinformed, like the fake news, we’ve been hearing about a lot lately.  Fake news is not new, in other contexts it is known as propaganda.  And, if it is not completely fake, just exaggerated, well that’s not new either, New Labour loved spin which led to a sexed up dossier, war and death.

Kermit’s next move

Philip D. Straffin says in his book Game theory and strategy, that game theory only works up to a point, after which a player must ask for some clarification about what is going on because mathematics applied to human behaviour will only explain so much.

And so we turn back to Kermit. What is he to do?  He has passive-aggressively asked for clarification and had a cup of tea. What’s his next move? Well, he could wait and see if he gets a reply (tit for tat). Who will crack first (chicken)? But, with the texts he has sent her, it is likely that her response is somewhat predetermined, or perhaps not, perhaps she will repond with Nash’s equilibria, or at the very least the Pareto principle of everyone not getting the worst outcome.

Alternatively, he could take a breath and remember that he is talking to someone he likes and with whom he wants to spend some time, someone human with the same vulnerabilities as him. He could adopt the volunteer’s dilemma approach and send her an honest text to explain that his feelings are hurt, he thought they had something special, and that she liked communicating with him as much as other people. By seeking clarification in this way, Kermit may just end up having a very nice evening after all –  or not. Whoever said: All’s fair in love and war, didn’t have instant access to social media and all the complications it can cause.

[Part 4]

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Game theory in social media marketing (2): Customers and competitors

Source: rarewallpapers.com

[Part 2 of 4: Game theory & social media: Part 1, Part 3, Part 4]

In part 1, we saw how people love to play games. Game theory was first recognised in 1928, by John Von Neumann’s paper which was about two people playing a game together with only one winner (known as: two person game-zero sum).

If we apply game theory to social media marketing, we could say that the customer and the marketer are playing a two person game, zero sum – winner takes all. Before social media, this might have been the case, for customers believed that shops were acting in their own self interests and so they, the customer, did too. Everyone was out to get what they could. In reality though, the relationship is more of a win-win: Without the marketer, the customer might not learn about the product on offer and not buy or benefit from the product, and without the customer, the marketer doesn’t have a job at all.

Playing your customer

In his book, Social Media Marketing, Eric Anderson describes the marketer-customer as a two-way mutually dependent conflict and, points out that in the world of marketing everything is described combatively. There are marketing campaigns, killer apps and dead lists, which fit with game theory: Two parties with opposing and mutual interests both engaged in winning the outcome of combat.

For if the customer doesn’t engage and play the game then, they effectively kill the product, or even the market the product exists in. More worryingly for a marketer, if a customer engages and is an influencer, this customer with a few well placed tweets and reviews on a social computing site (their blog, Amazon, Goodreads) can begin a campaign which can sink a product. On his blog, Nathan Bransford describes how books have been effectively killed prior to publication due to bad reviews on Goodreads.

A nice equation given by Kyle Wong on Forbes describes what an influencer does as follows:

Influence = Audience Reach (# of followers) x Brand Affinity (expertise and credibility) x Strength of Relationship with Followers

Influencers have immense power to kill or create sales, which is a totally new thing in marketing. This is potentially such a powerful way to sell to millions across the globe, especially amongst certain demographics – mums, millennials –  that many companies view social media marketing as the only way to market nowadays. They know that they must, like influencers,  build relationships with their customers. One way to do this is by creating content.

Playing your competitor

In a great blog on coschedule.com, Julie Niedlinger, describes how game theory approaches to creating content can help marketers decide whether their strategy (another military word) is appropriate with the competitors and with their customers.

Niedlinger advises marketers to take a moment, before reacting to comments that potential customers will leave on blogs, in order to ask whether there is a game going on. If so which game? And most importantly, are the rules clear? Once they are then and only then should a marketer make a move.

Secondly, she looks at competitors producing a similar blog of content rich potentially market cornering information and asks what is the next move?  Do you steal their writers? Mimic them? Join forces? Or, follow trends in an effort to win their share of the market.

It is important to know your game, it’s rules, and the moves you should be taking.

In part 3, we will look at specific game theory theories and see what moves and games we could play.

[Part 3]

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The Connection Economy: Memail, mixtapes and fortune cookies

Me, me, me, me. My favourite person — me. I don’t want to get email from anybody; I want to get memail– Seth Godin

Yesterday, I got my very first memail. Finally! It was magic.

It was from Spotify entitled: Your 2016 in music: personalised stats and playlist, and it jumped right out of my inbox at me amongst all the other stuff I keep getting in this commercial festive frenzy period we have now entered: Save on this, 50% off that, Free delivery, Last chance for Christmas blah blah blah.

I might be slightly biased because I like to talk about data and I like playlists; but I think I am like everyone else, in that, when you think about me, just me, and say or do something for me and me alone: You’ve got me.

My email said this:

You have listened for 1,827 minutes to 107 artists, and 162 unique tracks.

And then, *drumroll* ta daa, it gave me a link to my very own playlist – my very own mixtape – which I am listening to right now. It’s fantastic. It contains 78 of my current favourite tunes and I love it. And, if you want to hear them for yourself (because let’s face it, why wouldn’t you?), then I can share it with you via Spotify or Whatsapp or any other social media platform of your choice. How cool is that?

This is a perfect demonstration of the connection economy in action.

The connection economy

It was marketer Seth Godin who coined the phrase Connection Economy to talk about how marketers could do their jobs differently in the landscape of digital culture.

Now, I am not always a huge fan of Seth Godin, his blogs can be like fortune cookies because, brilliant marketer that he is, he likes to communicate in soundbites. I will never be his target market because I like to ponder anything you say for a very LONG time and come back at least three weeks later to let you know what I think and feel, and whether it is working for me. Yesterday thanks to Spotify sending me memail and a mixtape, I understood for the first time what Godin means by creating something extraordinary and making a connection with your customer. It was no longer just noisy marketing talk.

Create the extraordinary

For, the world has changed and we are overwhelmed with advertising. Everyday we get a million email, and those dreadful impersonal Twitter DMs saying Thanks for the follow please can you do this for me. (Err, no I can’t!), and 10 bajillion adverts on Facebook and everywhere else telling me to buy this, read this, feel this. I am exhausted.

So, to have Spotify send me this was so refreshing. I have said over and over on this site that at the heart of any interaction is our fundamental need to matter. We all want to be heard and we all want to feel like someone is listening to us.  When a person or business, ignores you, or changes the way they interact with you, for no apparent reason, it is painful. And, being talked at, like the emails in my inbox which threaten me with scarcity, deadlines and missed opportunities, is dreadful. The subtext is that you don’t count, you are not special, and you will have to fight for everything you want.

Yesterday, I got memail and a playlist, without even knowing I wanted them. Bottom line: I counted. Someone (well, software) took the time to understand what I liked and then created something for me – my story in song, my soundtrack of 2016 – just for me. I was recognised as having likes, dislikes, preferences. I was seen as me. How often does that happen in life?

Thank you, Spotify, I am thrilled. Merry Christmas!

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Designing design: The science of the artificial

astrolabe pic

[Part 1 of 12: 1) The science of the artificial 2) function, behaviour structure 3) form follows function, 4) no function in structure, 5) the medium is the message 6) types and schemas 7) aesthetics: attractive things work better 8) managing (great) expectations 9) colour 10) styles and standards 11) design solution spaces 12) conclusions]

Design is the science of the artificial – Herb Simon

Design is the process of making ideas tangible, in order to improve anything from the task at hand, to changing how a whole government functions. And, because of the impact that design can have on society – just think about how Tim Berners-Lee’s World Wide Web has completely changed our working lives – the design process has been studied for centuries. In Roman times, architect Vitruvius wrote in his De architectura that the human figure is a great example of proportion which in turn inspired Leonardo da Vinci to draw his Vitruvian Man. Design sometimes imitates nature whilst performing the science of the artificial.

Different ways of designing Design

There are several schools of thought when studying design, and sometimes these terms are used interchangeably.

  • Design theory draws on Architectural and Art theory such as the work of Vitruvius and the philosophically-based Aesthetics. Much research is done using mathematics, which is logical given that there many satisfying mathematical designs in nature: The golden ratio, fractals, rule of thirds, and Fibonnaci’s sequence, to name but a few. Sometimes design theory is viewed as the superset of design science and design thinking.
  • Design Science (or design research) studies the best way to understand, teach and perform design, whilst developing tools to support or automate design tasks.
  • Design thinking often focuses on ambiguous problems where success has no defined outcome. This approach is bigger than the design needed to create a deliverable which can be judged as satisfactory, by the client or customer.
  • Design Aesthetics is sometimes used interchangeably with commercial design as a way to produce aesthetically pleasing products in order to have a competitive advantage. Here we see how and why marketing has become inextricably linked to design – just think Apple.

Redesigning design

Designer Don Norman has said that we are all designers, which is partially true, as everywhere we go, we design our spaces in our houses and at our desks. It’s one thing to reorganise your bedroom but it doesn’t necessarily mean that we could all design a complex socio-techical system like the ones, for example, which exist in hospitals where patients, multidisciplinary teams of surgeons, consultants, nurses, and computer systems must all interact, schedule, and record everything from consultations, booking surgery slots, courses of treatment, and follow-up appointments that make up a whole journey which might occur over many years.

It does, however, mean as Architect Paul Grillo says, in Form Function and Design that:

Design is everybody’s business: we live in it, we eat in it, we pray and play in it.

For technology is constantly changing, and so is our society – just think of the need for Simplexity and the Internet of Things in our new Digital Culture, – and so is design, as it expands to support humans in their creativity and communication in an ever more complex world.

And, so I am starting a new blog series where I will look at individual design principles or theories which try to support humans as they create and communicate.